picture taker, takes photographs of white porcelain pieces. His photos, checked by moderation and innovation, are currently well known in Korea and abroad. However, when he began, most specialists selected to paint the fired pieces as opposed to taking photographs of them. Lee, then again, opposes the thought that white porcelain pieces must be three-dimensional. In 2008, Lee, a potter himself, went to Jingdezhen, Jiangxi territory, the most seasoned pottery focus in China, to investigate the likelihood of making fired pieces in two measurements. From that point forward, he's been reexamining earthenware perfect works of art as level surfaced compositions.
The Choi Sunu House in Seongbuk District, northern Seoul, is holding a show committed to these two craftsmen. Titled "Koo Bohnchang and Lee Seung-hee, Searching for the Soul of Joseon White Porcelain," the show commenced Sept. 15 with 15 pieces from Koo and 10 pieces from Lee. Coordinators noticed that Choi Sunu (1916-84), a famous craftsmanship history specialist and previous chief at the National Museum of Korea, had a love for Joseon white porcelain and supported contemporary craftsmen like Koo and Lee to bear on the class' soul. Constructed in the 1930s, the Choi Sunu House was home to Choi from 1976 to 1984, when he passed on. The house was purchased and safeguarded by the National Trust Cultural Heritage Fund and now has different displays, shows and other social occasions, for the most part gratis. Melody Ji-yeong, a marketing expert for the venue, depicted the progressing appear as "two contemporary craftsmen's cozy meeting with Joseon's white porcelain.
The Choi Sunu House in Seongbuk District, northern Seoul, is holding a show committed to these two craftsmen. Titled "Koo Bohnchang and Lee Seung-hee, Searching for the Soul of Joseon White Porcelain," the show commenced Sept. 15 with 15 pieces from Koo and 10 pieces from Lee. Coordinators noticed that Choi Sunu (1916-84), a famous craftsmanship history specialist and previous chief at the National Museum of Korea, had a love for Joseon white porcelain and supported contemporary craftsmen like Koo and Lee to bear on the class' soul. Constructed in the 1930s, the Choi Sunu House was home to Choi from 1976 to 1984, when he passed on. The house was purchased and safeguarded by the National Trust Cultural Heritage Fund and now has different displays, shows and other social occasions, for the most part gratis. Melody Ji-yeong, a marketing expert for the venue, depicted the progressing appear as "two contemporary craftsmen's cozy meeting with Joseon's white porcelain.
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